Showing posts with label Nonfiction. Show all posts
Showing posts with label Nonfiction. Show all posts

Dear So Gee


I went to the mall today. I got Panauh a pair of shoes. There was a girl with a mohawk and different color hair who helped us. I think she wanted to taste my kelbasa. Panauh said, "You like that hair?" I said, "Yeah, it's cool." Then we went to the Apple Store. I bought my dad a pair of headphones, where the iShuffle gets inserted inside. "Do you think he'll use it?" Panauh asked. "I don't know," I said. I really wanted a cigarette. I wasn't feeling well. Panauh wanted to go out to eat. He said he would buy me lunch because I bought him shoes. "With those shoes you look like you could kill someone," I said. "What?" he said. "You are so gangster," I said. He laughed. He took me to this restaurant called Champps. I ordered fish and chips. I ate one of the two pieces of fish. Panauh ate the other. Then we were about to leave the mall when I saw a Godiva chocolate store. "Wait!" I said. I went into the store. "Do you have chocolate covered pretzels?" I asked. "Yes," a girl said, "look on the second shelf." I looked. There was dark and milk chocolate. "She probably likes milk chocolate," Panauh said. "But the can for dark chocolate looks prettier," I said. "Okay, man," Panauh said. "I am going to get the dark chocolate," I said. Then I bought it and we left the mall.

When I got home, I saw that your flowers for my dad arrived. I picked them up and put them on the kitchen table. Then I went downstairs. I wanted a cigarette. That's why I started playing a tennis video game. Panauh came after I played for about a half hour. He wanted to play me. He started beating me very badly. I didn't feel like playing anymore. I went upstairs. My stomach was hurting. "I'm gaining weight," I thought. "My stomach won't get better if I gain weight." I could feel my stomach burning. "I can't eat out," I thought. I laid down on my bed. I turned onto my left side. I fell asleep. When I woke up, my dad was home. I went downstairs. I wrote this. Then you called me on iChat. "You want some?" you asked, and showed me a half of your uneaten chestnut.

Night Out at the Theater

The evening started with So Gee getting hungry. "I have to eat," she said. "I can go to this bakery."

Loren called a few minutes later. So Gee was in the middle of her crab cutlet sandwich. "I am eating faster," she said, and chomped.

I don't like being late for theater performances. I think this is well known by my friends.


We met up with Loren and his students ten minutes later. They were all very cute and full of youthful wisdom.


We watched the rock musical, "Line One". It was about a Chinese-Korean immigrant to Seoul who loses her way up and down the line one subway route, befriends a prostitution ring, the homeless, janitors, and street vendors, and then finds salvation in this unsuspecting, empathetic community who show her that Seoul is full of smog and corruption, but loving kindness as well.

The music was done very professionally. Band members were situated above the stage behind a scrim, and from what I could tell, it was only a five-piece group that included a saxophonist, drummer, bassist, guitarist, and keyboard player.

I liked the keyboard player best, because she was wearing a semi-sari on her head that made her look like she was on an African safari, and that made me think about safaris, which is a nice thing, because safaris make me think about lions, and I like lions.

The production was very professional. Everything was very choreographed, and you could tell that the performers had all been trained under a stringent director. At the same time, the rigidity of the performance did show up as a bit hammy at points, and if I was directing, I would have tried to leave more room for improvisation to shape the piece in different ways.

The highlight of the evening was a rap in Korean, where a subway vendor touts his goods in a very Tom Waits fashion - going through an escalation of more and more dramatic sales pitches, until finally he removes his hat to reveal a rubber glove - the original sales item - attached to his head.

When he started bobbing his head left and right to the 120 BPMs of the song, he looked like a cross between The Beastie Boys and a rooster, I just lost it. Very funny. During the rest of the production, my only hope was to get a picture with him. I know. It's very Princess Leia of me., but the performance was that inspiring.

Luckily, the picture above is with the entire cast.


After the musical, we all went to a jazz club. Loren ordered a feast for his students, and we chatted about the prices of apartments between Los Angeles, New York, Seattle, and Seoul. Since most of the students had lived in most of these cities as well, there were many interesting assessments made. Probably the most fascinating of them all, was that I felt very much like I was home in a conversation like this. Loren's students are truly wonderful and extraordinary. I think if I had classes with the lot of them, I could last out in Korea much longer then my deadline. I could even take their advice and get a nice duplex in Miami.

Day 297

"There is a Korean myth," she says. "I want to tell you it."

"Okay," I say.

"A bear and a tiger go to the Gods. They want to be human. The Gods say if you eat garlic everyday you will be human."

"Just for a week? A month?"

"No, like 300 days."

"Why, 300?"

"Because it makes it more dramatic."

"Okay."

"So the tiger gives up after a while. He can't take it. The bear doesn't though. He keeps eating garlic. He becomes human."

"Okay."

"So that's where Koreans come from. We are the ancestors of bears."

"Interesting."

"Yes."

I drink my coffee. It has things floating in it. They taste like jelly beans. I didn't ask for them. They were complimentary. I swirl them around. I stand up.

"It's time," I say.

"For what?"

"I have to go to my cave."

"You are going to write?"

"I am going to be a bear."

"You are Korean, Pirooz."

"Yes, could be."

I walk my friend to the bus. She gets on the 144. I wave. I walk across the street. I walk across the university campus. I don't say anything. I don't think anything. I get to my room. I turn off the lights. I lie on my bed. I wait.

I Love Ralph Macchio

Okay, I am almost done animating the new video for The Slipshod Swingers. Just a little more time and help (PAIMAN, YO!) to time out the sequence. Hopefully, I'll have it done soon. In the meantime, I am querying agents for books, editors for stories and poems, and sending out press packages to record labels.

It's little bits at a time.

If there are musicians or editors out there with contacts, hit me up. Tell me what you know. Give me some advice. What labels do you like? Do you know someone who knows someone? Whatever the link, pass it onto me.

In other news, I saw that I am now listed on IMDB. This filled me with a particular sense of glee. I wanted to rock the acting when I first started my career as an artist. Now it has come to fruition. Unbelievable. Thank you.

What else?

Last night, I went to Lucky Strike for a friend's birthday party. Right away I started mad hitting on this woman who has that bohemian-artist-centerfold-naughty flavor that will make this man grumble for various objects to fall from the sky in no particular order. Naturally, I grumbled and had an assortment of triangles and squares punch me dead in the nose. Of course, in the beginning it was roses. Plain and simple.

"What do you do?" I ask.

"I'm a producer."

"Oh, yeah," I say. "Me too."

"Really?"

"Yeah, you like it?"

"It's a lot of pressure."

"Yeah, it can be. But I got a secret. If anyone does me wrong, I'll send them a memo. It's the letter U. Capitol. Then DIE! That does the trick. Gets the message across."

She giggles. I take that as keep it coming big boy and shake your ass a little. Naturally, I am one to oblige. I shake my ass. I bowl some strikes. I am huffing in that nether world of mojo that slightly pulsates from the cosmos to the very sphere of my being - over and over like a breathing heart - alive and free.

She notices. She blushes. She points her toes together. Music is playing. The Power of Love. Huey lewis. I shake my ass. She talks 80's. I talk 80's back.

"So you like The Karate Kid?"

"I love The Karate Kid," she smiles. "I love Ralp Macchio."

"Oh, yeah. Me too. Except I was in love with Elizabeth Shue. I wanted to marry her and have her babies. Maybe, that can still happen. We can work that, you know? We could act scenes from the movie. I'll do crane kicks. We can even get some blonde guy to be the bully and they'll shout, Sweep his leg. Who knows what kind of wonderful sexual excitement we could create?"

"I left that movie behind a long time ago," she smiles.

"Lets bring it back."

She laughs. She blushes more.

"You smoke?"

"Yes," she says. "It's part of the job. The pressure. I haven't been able to quit."

"Well, come have a smoke with me."

She obliges. We're out on the veranda. It's like Gone With the Wind in Times Square, except we're on Hollywood Boulevard and there are breakdancers street peddling in the background.

"What's your house like?" I ask.

"Oh, it's nice. My roomate and I-"

"You're roommate?"

"Yes, my husband."

"Husband?"

"Yes, haven't you noticed?"

She holds her rock where I can see it.

"Oh, man. You're married. I had no idea."

"It's okay. You can still think I'm pretty and great and all. We can be friends."

"Yes, friends."

Awkward silence.

"Man," I say. "I am seriously verklempt right now. I think I might bust a few tears over this. I've been hitting on you all night and you're married. That's really kind of devestating."

"Oh, don't shed tears over me."

"I've got no choice. They're coming."

"Well, only 3 then."

"Okay, 3."

We hug. She goes off. I cry my 3 tears. Now it's 924pm. It's Sunday. Record heat in Los Angeles. 108 degrees. Haven't been able to do much of anything. I talk to Moksha. He tells me I'm doing good. I talk to the ex-wife. She tells me I'm doing good. I have dinner with T. She says I'm doing good. Now I got to see it myself.

I will have to consult Roshi. Benjamin Franklin. Einstein. Then the greatest of them all.



P.

Stringfellow Hawk: Hanging at the Disco Inferno

____________________________________________________________

Last night we had to bail on Spaceland. Line was around the block for this band called The Bronx, so Mickey and I decided to go to the Disco House (what he calls his studio apt). It was just what the doctor ordered. Hawkeye was there, Mickey's roommate, and we shot the shit about his new job.

"You're looking good," I say.

"Yeah?"

"Yeah," I say. "Your hair's all trimmed. It looks good."

"Well, you know," he says.

"Yeah," I say. "Well, I'm here. Lets record some music."

Hawk was game. He pulled up this beat that was low key. It had some low, electric guitars with a hip-hop shuffle.

"Reminds me of Jane's Addiction," I say. "Porno for Pyros too."

Hawk laughs.

"What's up?"

"You compare all my songs to early 90's bands."

"Yeah?"

"I love that."

"Well, I know my music."

"That's true."

I tell Hawk to let me have one pass at the song. I figure I can carry a high melody throughout. I have no idea what I'll sing, but I tell him to just record.

"Go ahead," I say.

"You don't want to hear it?"

"I'd rather it be a surprise."

"Okay," he says, and starts recording.

I lay one vocal. It's pretty. The only lyric I remember is "Everyone's got problems." That was the chorus. That was nice.

Hawk was all about one of the verses.

"I love how you said, "We ran away when we were 16."

"Yeah," I said. "Young love is fun."

I tried doing another take for harmonies after that, but their recording equipment was a bit outdated and I could tell I was better off bringing the tune where I could actually do some work on it.

"Hawk, want to be on the new album?"

"Yeah, man."

"Well, this is what I want you to do. Burn this beat to disc, and meet me on Saturday at the Fortress (this is what everyone calls my house). We will work on it there. I will email you lyrics and then you can see what you want to add."

"Okay"

"On second thought, I don't have the time to do that. I'll tell you what. You listen to this improv thing and pull the lyrics you like, and then write some of your own. Then hand it to me 10 minutes before we record. I am pretty sure that will keep it fresh and raw."

"Sounds good to me"

I was real impressed with Hawk's beat. It is definitely a keeper. I am excited to see what happens on Saturday too.

I wonder if Hawk knows he's a genius.

Ford Tempo, Spaceland, and Madonna-Donna-Hoochie Mamma










So hear I am a bit tipsy with my head on a dresser drawer and writing with my right hand while my lips are tasting the great cherry wood of my own beautification.

Beautification, you say?

That's right. Beautification. A wonderful night of small moments and extraordinary ones. It started with laundry. I did a load. It went well. I was proud of myself. I had been saving the growing pile for a little wash and fold at a dollar a pound becuase that's how lazy I am when it comes to laundry, but I found it within myself to do a bit, so I did.

There is something so relaxing about doing laundry. Going to Spaceland too.

Mickey rolled up in his usual Ford Tempo. I had to push down the window and figure out how to get the bucket just right, but I did. That's when intentions were laid for our Monday night out.

"I go to Spaceland every Monday night," the Mickster said.

"Sounds fun."

"Yeah," he agreed. "I got to find my all girl band."

Anything "all girl" piques my interest, so I was extra thrilled to be going on the excursion. I even entertained a nice moment where we were able to recruit 4 beautiful women for his group in one swell swoop, before reality came through in the name of Sarah.

I jump straight to her because she was a bombshell. Mickey had been fronting lip to her as we drank our way through the first set of a mediocre band.

"The drummer is the shit!" Mickey shouted over the music.

"He's okay," I said. It wasn't until later that I really watched the guy that I could tell the man had a point. He was feeling the music. He was passionate. I can see how that turns people on. It even turned me on a little bit, but not as much as Sarah, so lets take it back to her because that's all I really want to talk about.

Mickey was ready to split. I pointed out Sarah and asked if he knew her.

"I just met her," he told me.

"Introduce me," I said.

Mickey did a dip of the head way back and let out an empty laugh, "Yo, man! I'm not good at that."

"Just say the truth," I said. "Say this is my friend Pirooz, he wanted to meet you."

Luckily, Mickey is a man of action and one of the coolest emcee's on the planet so he did the trick, introduced me, and it was just me and Sarah - who from a brief sound byte - I was told was a band promoter.

"Hey," I said. "Pirooz."

"What's your name?" she said, and grabbed my jacket to pull me closer.

"Pi-rooz," I enunciated.

"What are you here for?" she asked, pulling me back again. "Are you with a band?"

"No," I said. "Just here to meet you."

She smiled.

"What do you do for bands?"

"I sell merchandise," she said.

I looked down at her leather gloves, with the fingers cut-off. She was a throwback between Madonna, Blondie, and the Donnas - my God what a bundle of joy.

"Do you sell those gloves?" I asked.

"Maybe," she said, thinking.

Then I got thoughtful. I had nothing really to say, and the band kicked it into a higher gear, trying to see if Nigel was right, and amps could really go to eleven. This was when Mickey pulled the international sign for split, with his hands like a pair of scissor and his gait ready to step when the drill sergeant yelled march.

Sarah saw the exchange. She yanked my collar and got her mouth close to my ear again.

"What is it?" she asked.

"He wants to split," I said, doing my part to touch her taste her earlobe. "I just wanted to whisper in your ear one more time."

She smiles and draws away.

I start walking.

She blows me a kiss. Damn, I think. That is one fine Blondie-Madonna-Donna hoochie mamma. We would have fun.

"That's for sure," Mickey agrees, as he strolls at a fast pace down the street.

"I wouldn't even mind sloppy seconds," I tell him.

Mickey laughs. He is so effortless. He knows. We are both the same.

Isn't that the bomb about great friends? You know what reality is. You know things don't need to be sweat over. It's just a beautiful woman. It's just a band contract. It's just life or death. It's just friends, best friends, going out on a Monday night to find laughter, joy, and an earlobe to whisper in.

"She is a fun one," Mickey nods.

"Yeah," I say and open the door to the Ford Tempo. "You got her number?"

"No," Mickey frowns. "I just met her."

"Oh, man," I say. "I would have gotten her number. I thought you already had it."

"Nah, I just met her."

I don't give it another thought though. There are certain things that are meant to be. Sometimes it's just getting to whisper in someone's ear. Sometimes it's riding in a Ford Tempo with your bestfriend. Sometimes it's hearing your friend's band play as you roll up the 101. Sometimes it's the sound of a laundry machine breathing it's last turn through a spin cycle.

I get out of the car, do the old hip hop hooray shake and go straight for the laundry room at the back of the complex.

My clothes have that toasty feel.

"Right on time," I think. "Where else can I start laundry, hit a club, and finish my laundry on the way back?"

No one answers though. I am alone. It is 1:27 AM. I take a sip of Diet Coke. I pull the mouse across the screen. I hit

The Date

It was late. We didn't get to kick things off till about 9. Right away I could tell we were both beat, but we made the best of our tired bodies. She talked about transformers and cabbage patch kids. I talked about Star Wars. Our childhood toys. That was nice. We dug the same things. Except Care Bears. I wasn't big into Care Bears, but I liked the colors and told her so.

"I like the colors," I said.

Then she wanted to get details about the divorce. Not something I really want to get into, because it is such a long story, but I told it to her and did my best to cook at the same time.

I burned the rice the first time around, and she was cool with that. I just made another pot, and finished the story.

I think she was a bit freaked that I knew shamans, and had hung out with them, and that probably wasn't first date info., but as most of you know, I am me, and whatever I say, is what I say. So I did. I just laid it out.

Then we went into my room and I showed her The Slipshod Album, and some of my favorite books. I read some poetry to her. The stuff I wrote when I was 19. Don't know why.

"It's good for 19," she said.

"Yeah," I said. "It's pretty."

"You're a pretty confident guy."

"Well, I know what I like that I make, but I don't like everything."

Around 11, she got tired and wanted to go home. I drove her to her car, and told her we could go to Hawaii if she wanted. I was going to go pretty soon for Mar's wedding.

This threw her for a loop.

"I don't even know you," she said.

"Yeah, I know," I said.

"So how can I go with you to New York or Hawaii when I don't even know you?"

"I don't know," I said. "I like you."

"But why?"

"I don't know."

"See," she said. "You don't even know me."

"Yeah, I hear you. I don't really know you, but I like you."

Truth is, that I do. I am not much for mincing words. I don't need someone's life story to know I dig them. I also understand how I came on a little fast for her. At least Nina tried to set me straight later, as we were heading over to Mickey's.

"That's too fast," she said. "You got to wait before you ask them to go to Hawaii with you."

"I know. I was serious though."

"Yeah, but she doesn't know who you are yet. After she gets to know you better, she'll understand that's who you are."

"I guess you're right. I really like her though."

"So are you going to go out again?"

"She said she wanted to. I don't know. Maybe, she doesn't want to. I don't really know."

And I don't. I would like to go out with her again.

When I hugged her goodbye, she looked so cute I could kiss her, but I didn't, because she had just gotten through scolding me for not knowing her.

Yeah, I think she likes me. I know I'm a strange one, but really not that much so. Hopefully, she'll hang out again.

Who knows?

I certainly don't.

I do know I got to Mickey's party. It was a lot of fun. Mickey and I played NBA Jam, which he's got set-up in his living room. Shaq and the Magic tore us up. Beat us at the buzzer.

Mickey didn't want to play anymore after that.

I sang a song about Tupac Shukor, danced with Timeray, then took Nina to Tangier's, where we found the bar closed. That's when we headed down to the Good Luck Bar to meet Nina's friend Mr. X (now I forget his name).

That was nice. We sat and chatted about great places to eat. I dropped off Nina, and then I came home to an itemized bill from my little brother (I told Pan to take his girl out to give us some privacy, you know? I also told him he could take Letisha wherever he wanted and I'd pick up the tab.) I'll tell you what I didn't expect was such a big tab, but I'm a high roller, so I dropped some bills on the coffee table, and then lied down on my bed.

Now I am into the fantasy portion of this blog.

I am a toad. The kids call me Henry. I can hop with the best of them. Catch flies too.

If there's a hole in the middle of the highway, I just bounce over it.

Man, I like this girl. I don't know her, but I do.

I could have told her how I love her laugh. I could tell her that there is a magic inside her. I could have told her that I was a frog name Henry. I could have told her a lot of things, but I didn't.

I will have to tell her next time.

It is 2:53. Time for me to smile in my sleep. Time for me to drown in sheep. Time for me to hop in bed.

Bye, P.

My Mom and Kandinsky


My mom is beautiful. Last night she creeps into my room. I say creep, because she doesn't like to disturb me. She watches me for a while.

I am looking at Kandinskys on the web. I don't even know why. I can't stop looking. I can't do anything else.

"Pirooz," she says. "What are you doing?"

"Looking at paintings."

She comes and stands next to me.

"Are these your painting?" she asks.

"No," I say. "Kandinsky."

"They're beautiful."

"The most beautiful in the world."

She stands as I scroll through some images. She loves the "Circles" painting. She says how beautiful they are. We look at the paintings for a good while. Then she stops as if an idea has just come to her. She tells me to come sit with her.

"Come, Pirooz," she says. "I want to talk."

We go into the living room. She tells me her worries. She cries a bit. Then the launching starts. Story after story. She talks about a trip to New York City. A forgotten plane ticket. My dad's business trips. How crazy the men in this family are. How crazy I am.

"I save your life, Pirooz. You were so crazy."

I laugh.

"Don't you remember?"

"No."

"Come on, boy. You remember. You are blocking it. Don't you remember when you were break from Lynn, and your band is not going together anymore, I tell you to come be with me. I say, 'Pirooz, come stay with me.' But you get so angry. You are like, "NO! I am not going anywhere.' Then one day, you call me and say, 'Mom, I want to come live with you. Come bring the truck.' And I say, 'Thank God,' and I say, 'Pirooz, I do not have truck. I will bring car and we make two trip.' Then I come and we get everything from Lynn's place, and you come home. And, oh my God, Pirooz, you stay in your room day and night. I come in and see you, and you are just looking at the ceiling. Sometime for 10 hours. I say to myself, 'God please save my son.' Then one day you come home and say you want to go to New York. You say mom can I have 50 dollars. And I say, 'Pirooz, I'm sorry honey. I do not have any money.' And you get so crazy. You pick up Panauh's Walkman and you crash it on the ground. Then you take my pot, and it has Shivit Baghali inside, and you just throw it everywhere. I still have this pot. The handle break, but I keep it. And then you crash everything. You go and grab this dish that I keep the candy, this nice crystal, and you take it outside and just crash it."

"Oh, Pirooz, I was so scared. I think my son is really crazy. I run to the bank. I say to you, 'Wait, Pirooz! I am going. I get you the money. I got to the bank like this (shakes her hands), and I get the money. And when I come home I see you have dustbuster and broom, and you are cleaning everything, and I say, 'Here, Pirooz. Here is the money.' "

"Then you say to me, 'Mom am I crazy?' And I say, 'No, honey you are not crazy. You are just depress. Maybe you want to go see psychologist.' And then you say, 'Yes, mom. I want to go to see psychologist, but it has to be a woman, and they have to be this thing, psychiatrist, or psychologist,' you say. I say, 'Thank God,' and for two days I am on the phone to find psychologist, but no one has appointment. Then I go to supermarket, and I see Carla, and she is talking about her son, and say that he is not doing good, and that he see a psychologist who save his life. And I think, 'Oh, thank God, maybe this man save my son life.' But I don't say anything. I just say, 'Is good to have good doctor. Can you give me his number.' And she give it to me. And I call this doctor and I say, 'Please help my son. Do not worry about bill. I pay whatever you need. Please just help my son. Please save his life.' And the doctor say he help."

"Then you go see this doctor, and I see little by little you get better. I call the doctor and I ask, because I do not know if you even go, 'Is he coming?' And he say, 'Oh, yes. He is coming. He is a beautiful boy. Very smart. Very bright.' But he doesn't say anything else. And I think, 'Thank, God.'

"Then one day you come and say you are going to go back to school. And then you go write the letter and you go, and then you move in with Sonny, and then you come to me one day and say, 'I meet this girl Mom. I meet her 6 years ago She is very nice. What do I do?' "

"Because sometime you are still with Lynn. And I say, 'Isn't Lynn with other boy sometime.' And you say, 'Yes." And I say, "Well, then it doen't hurt to go and see.' And you say, 'Okay, mom I go see.'"

"And then you go with Nicole, and everything is nice. And you go to school. And now you are separate, and you are handling so well. You are here. You are so calm. I am so proud of you, son."

"Thanks, mom."

"Yes, all of you are so crazy. I remember one time Paiman come home from school, and he come inside, and I see one second later someone knock the door. I open the door and this woman is here--the one who live with the Indian man--and she is screaming, 'You're F-son! He F this.' And I say, 'What is going on? What happen?' I look at Paiman. I say, 'What did you do?' And he say, 'I didn't do anything.'"

"And this woman is so mad, Pirooz. She is screaming. She say he come and she use the word ---- take his thing, and he just peep right on her tree. 'He take his thing and do it right by my window,' she say."

"And I say, 'I am so sorry.' I look at Paiman, I say, 'Why you do this?' And he say, 'Mom, I try to hold it. I couldn't do it. I was going to explode. You don't know how it is. You are woman. I have to go. This was the best spot.'"

"Oh, it was so funny, Pirooz."

"What happened with the lady?"

"Oh, she was so mad. She say, 'Never again! Do not come near my house. Walk by the road. Don't come to my house again!' She was so mad."

We all laugh. The well has been unleashed though. My mom continues.

"And Panauh, Oh my gosh. He box everyone. One day I see he come home, and then one second later, I hear the ring. These people come who are parents of--what is his name Ben, Brian--"

"Ben ****," my brother says.

"Yes, they are mad. But they are not like that lady. They just say, 'Your son come and box are son, and his nose is bleeding, and we have to go to hospital.' And I turn to Panauh, I say, "Panauh why you do this?" And he say, 'I didn't do anything.'"

"And then these parent confront him, and I say again, 'Why you do this?' And he say, 'He call me gay.'"

"Oh, Pirooz, how many boy he hit. So many. He box so many boy they have a meeting at school. I come and is seven people and one chair for me and I sit. They say, 'If one more time your son box someone, we going to send him to boot camp.' Then I come home and tell Panauh, and the guidance counselor he call Panauh. And then he understand this is real, because we go see a commercial on TV, on this boot camp, and he get scared, and then he doesn't box too much anymore."

My mom stops her storytelling. She looks at the clock. She is right on time.

"Come, Pirooz. Come let us go see this Barbara Walters. Tom cruise is coming."

I prop pillows on the bed, and she lies down. We watch the whole special together. I am moved by Kanye. Jamie Foxx seems to be doing good. My mom persk up when Tom Cruise comes on the screen.

"You love Tom Cruise," I say.

"No," she tells me. "I like him because he look just like you."

I smile. I turn back to the Kandinsky on the screen.

Barat's Encounter with Slash

Shortly after this beautiful moment, I was propeled into health conscious living.

"Want to run?" my brother asked.

"Sure," I said.

5 miles later, I sat outside his apartment door. Very cozy. Each unit in a semi-circle around the pool. The neighbors come and go. All friendly. All in various professions associated with the media world. I get introduced to a few.

"This is my brother," Paiman says.

I am cordial. Hello's and goodbye's.

"She does commercials," my brother explains. "He sings in an acapella group."

"Cool," I say.

A couple hours later, we hook up with Sonny and Sudeep Mishra. The brothers are in town for a week. Sudeep runs a company in Bombay. Sonny runs a gypsy jazz trio in Seattle. We decide to hit Sunset Strip. We walk aimlessly, discussing music and moving possibilities.

"What do you think of L.A.?" I ask Sonny.

"It's cool," he says.

"Think you'll move here?"

"It's definitely a place I'll do business."

I don't push it. My decision is not based on his. Still, it would be nice to come here with a partner in crime. Rent would be a lot cheaper.

"I'm not planning a move anytime soon," he says.

I drop back to Sudeep behind me. He starts in on his buddy, Barat. Apparently, the guy is a huge metal freak. He hits vario¨s shows when he's not wheeling and deaing with Wall Street big wigs. I nearly shit my pants after I heard his latest experience with Velvet Revolver. Sudeep gave me the low down.

"It was fucking unbelievable. Barat goes to the Velvet Revolver concert with his girlfriend, and in the middle he's like, 'I've got to get closer,' so he leaves his girlfriend, this tiny Malaysian girl in the middle of a mosh pit, and starts busting his way through to the front. Somehow he makkes his way to the front, and tells the door man that he's there to see Duff.

'I need to see Duff,' he says.

'Who are you?' the doorman asks.

'I'm in the opening band,' he says."

"That works?" I say. "He looks like a rocker?"

"No, dude, that's why it's so funny. He's like 5 feet with glasses. Not a rocker at all."

"Yeah," Sonny pipes in, "he's the exact opposite of rock 'n' roll. He's one of the sweetest, little guys you'd ever meet."

"But," Sudeep adds, "They believe him. And they even tell him what door to knock on, when he gets in the hallway. So, here's Barat backstage walking around. He tries the first door, and no one answers. Then, further down the hall, he sees Scott Weiland through an open doorway. He stands there just staring into the door, until they give him a look, and shut the door."

"So is that it?" I ask.

"No, dude, listen! He goes to the next door, and just knocks. This girl answers. He uses the same line about how he's here to see Duff, and was part of the opening act. So the girl says, 'Hold on,' and closes the door to check it out. But Barat doesn't wait for confirmation, he just opens the door and walks in."

"Holy shit!"

"Yeah, he walks in there, and fucking Slash is there half naked. He's like, 'Who the fuck are you?!"' "

I gasp, "What does Barat say?"

"I kid you not, he just walks up to Slash and is like, 'You fucking changed the world, man! You changed the world!'

'Oh, man,' Slash says. 'What's it going to take to get you out of here?'

'I'm not going anywhere,' Barat says. 'You fucking changed the world!' And he's screaming this at the guy, because that's what he's like. Listen, I went with him to an STP show, and we were out in the middle of the grass, and he starts screaming at the top of his lungs, 'Look at him! Fucking look at him!' talking about Scott Weiland. Dude, Pirooz, he was fucking louder than the music."

"So what happened with Slash?"

"Barat says he'll go, but he has to give him something. So Slash goes and gets a candle and gives it to him."

"Yeah," Sonny agrees, "but he tells him that most people don't know he's a spiritual person, and then hands him the candle. Pretty cool, eh?"

"Fantastic story."

"Yeah, you know they were all probably talking about the guy," Sudeep says.

"They probably didn't think anything of it," Sonny says. "I mean, if you saw this guy you'd know what I'm talking about. I mean, he's the sweetest, most innocent guy you'd meet. That's probably why they were so nice."

"I just love that he screamed, 'You changed the world!' to Slash.